Banyan Tree · 400 Hibiscus Street
Banyan Tree Residences West Palm Beach — A sanctuary, rooted in downtown West Palm Beach.
Banyan Tree Residences West Palm Beach — Banyan Tree’s first home in the United States — eighty-eight corner residences by OMA, two blocks from the Intracoastal.
Banyan Tree Residences
West Palm Beach
Thirty years ago a tin mine became a sanctuary. Today the banyan roots downtown.
Banyan Tree Residences West Palm Beach brings the first Banyan Tree residential address in the United States to 400 Hibiscus Street, at the corner of Hibiscus Street and South Dixie Highway in downtown West Palm Beach — a private sanctuary at the heart of a city in motion, developed by Mast Capital and Curated JCZM Development in collaboration with Banyan Group.
The story begins in 1984, when Ho Kwon Ping and Claire Chiang acquired 222 hectares of an abandoned tin mine on Bang Tao Bay, Phuket. They restored the soil with more than seven thousand trees, and in 1994 Banyan Tree Phuket opened: a pioneer of the environmentally sensitive resort, of the pool villa, and of the first luxury spa in Asia. The banyan gave the brand its name and its symbol — shelter, shade, a place to gather.
Today Banyan Group keeps some one hundred hotels and resorts in more than twenty countries, and Banyan Tree still describes what it makes as a Sanctuary for the Senses. Here, for the first time, the sanctuary no longer depends on a shore. It lives inside the building — in eighty-eight corners of light, and in a whole floor given to being well.
“Banyan Tree has always believed that the spaces we inhabit shape the lives we live.”
Banyan Tree
Every residence is a corner.
Two volumes, one garden podium, and light from more than one direction.
OMA — Office for Metropolitan Architecture, the firm founded in 1975 by Rem Koolhaas — has sculpted a dual-form tower for the corner of Hibiscus and Dixie: two interlocking volumes set upon a garden podium. The gesture is a daily promise. Each of the eighty-eight residences occupies a corner, open to multi-directional light and to two distinct horizons — the Intracoastal and the Atlantic beyond Palm Beach on one side, the city on the other.
Wraparound terraces trace every home, so that the outdoors is never more than a step away, and a private elevator opens directly into most residences. The architecture asks nothing of its residents but to look up, look out, and breathe.
The arrival
Enea Landscape Architecture (Enzo Enea) plants the podium slab by slab, so that the gardens climb from the sidewalk toward the tower and the building reads, from the street, as a hillside of green. At ground level, a curated selection of retail keeps the corner alive.
Beyond it lies the private porte-cochère, and a host who is present around the clock — the first ritual of coming home, before the elevator rises to your own front door.
Eighty-eight corners of light.
Two horizons from every room, and the terrace all the way around.
Eighty-eight corner residences, from one to four bedrooms, with The Penthouse Collection above. Every home is wrapped by its terrace, and most are reached by a private elevator that opens directly into the residence. Yabu Pushelberg — the studio founded in 1980 by George Yabu and Glenn Pushelberg — composes the interiors in natural stone, brushed metals, integrated lighting and fluted glass: a tactile restraint in which the material does the speaking.
Kitchens are fitted with Sub-Zero and Wolf. Primary baths are lined in travertine, with a rainforest shower and a soaking tub set beneath the light. Motorized shades and smart-home pre-wiring stay quietly out of sight, so that what remains in view is stone, glass, water and sky.
The great room of a corner residence: glass on two sides, and two waters beyond it.
The kitchen opens straight onto the terrace.
Travertine, a soaking tub, and the rainforest shower beside it.
One whole floor for being well.
A day, told from the inside out.
The spa reception, where the banyan is carved into the wall.
One entire floor of the tower is given to wellbeing — the holistic philosophy of Banyan Tree translated into daily ritual. The morning begins on the yoga terrace and moves through the Pilates studio to the juice bar. Midday belongs to the hammam, to steam and sauna, to a cryotherapy chamber, a cold plunge and an ice fountain for those who like their renewal bracing.
In the afternoon, soaking baths and rainforest showers; then the quiet of the meditation dome and its garden. The day ends in the reflection lounge, where nothing at all is asked of you. It is the wellbeing Banyan Tree first imagined in Phuket in 1994, translated into a floor at home.
The Eight Pillars, at home
The eight pillars of wellbeing, as Banyan Tree names them — and where each one lives in the building- 01RestSoaking baths and the reflection lounge
- 02NourishmentThe juice bar, on the wellness floor and on the rooftop
- 03MovementThe fitness pavilion, indoors and out, and the Pilates studio
- 04MindfulnessThe meditation dome and its garden
- 05ConnectionThe residents’ lounge and the social rooftop
- 06GrowthEnea’s garden podium and the children’s discovery garden
- 07GroundednessThe yoga terrace, rooted downtown
- 08PracticeThe philosophy of Banyan Tree Spa, the first luxury spa in Asia, since Phuket 1994
Water at noon.
A film after dinner.
The signature pool by day; as the light turns, the social rooftop.
The signature pool is resort-style and fully attended: loungers set into the water, cabanas veiled in white, a garden bar and lounge at its edge. Around it, the fitness pavilion opens indoors and out; a golf simulator shares its room with a screening room, and a putting green waits outside in the sun.
As the light turns, the social rooftop takes over — an open-air cocktail lounge, a speakeasy behind a bar of red marble, an outdoor cinema beneath the sky, a meeting room for the working hours and a juice bar lounge for the morning after. The building keeps the whole day, from the first swim to the last conversation.
The speakeasy, behind a bar of red marble.
The outdoor cinema, once the sky has gone dark.
One block to CityPlace. Two to the water.
Everything the city offers, a short walk from your own front door.
The address is the corner of Hibiscus Street and South Dixie Highway: one block from CityPlace, two from the Intracoastal Waterway. Royal Poinciana Plaza and Palm Beach Island are minutes away, and Worth Avenue lies just across the Royal Park Bridge. Culture keeps the same short radius — the Kravis Center, the Norton Museum of Art, the Flagler Museum.
The neighborhood’s tables are the ones Palm Beach already knows: Buccan, Le Bilboquet, Sant Ambroeus, Harry’s, Café Boulud, Eataly. And when the evening is over, the sanctuary is inside: a whole floor for wellbeing, and two horizons from every corner.
- CityPlaceOne block
- The Intracoastal WaterwayTwo blocks
- Worth AvenueAcross the Royal Park Bridge
Three studios, one first.
Three design studios and the brand that gathers them, together for the first time.
Banyan Tree Residences West Palm Beach is, in the words of its announcement (PR Newswire, March 24, 2026), “the first collaboration of its kind” between four names: Banyan Group, for hospitality and wellbeing; OMA, for architecture; Yabu Pushelberg, for interiors; and Enea Landscape Architecture (Enzo Enea), for the gardens. Yabu Pushelberg’s hand can be read at Aman Tokyo and Rosewood Guangzhou; Enea has kept its studio in Rapperswil-Jona, Switzerland, since 1993, with an office in Miami.
The project is developed by Mast Capital — founded in Miami in 2006 by Camilo Miguel Jr. — and Curated JCZM Development, led by Josh Simon and Josh Smith, in collaboration with Banyan Group. Renderings by Hayes Davidson.
Banyan Group
Hospitality and wellbeing · Singapore, 1994
OMA
Architecture · Founded 1975
Yabu Pushelberg
Interiors · Toronto and New York, 1980
Enea Landscape Architecture
Landscape · Enzo Enea, Rapperswil-Jona, 1993
Presented by MILLION, an authorized brokerage. Banyan Tree is a brand of Banyan Group.
Your key opens a hundred sanctuaries.
From Hibiscus Street to Phuket, the Maldives and AlUla.
Ownership here carries the privileges of The Sanctuary Club, Banyan Group’s program for the owners of its residences — preferred access, as Banyan Group described it at the project’s announcement, across more than one hundred hotels and resorts and more than one hundred and forty spas and galleries in over twenty countries. The brand that began as a single sanctuary on Bang Tao Bay becomes, for those who live here, a way of moving through the world.
Inside-out, every day.
Four moments of an ordinary day at the corner of Hibiscus and Dixie.
The towel, rolled, and the emblem stitched into it.
Loungers set into the water itself.
Travertine, brushed brass, and the light they hold.
A stone island, and the view that sets the table.
The day begins on the terrace.
Shown in person,
by appointment.
The residences, the wellness floor and the materials, at a time of your choosing.
The Residences Collection — plans, finishes and the whole floor for wellbeing — is presented privately, at a time of your choosing. The sales gallery at 400 Hibiscus Street receives by appointment; leave your details and MILLION will arrange it.